Click here after you read…ok dildo. LOL
VINCE VAUGHN LOVES ANDY JUETT

Ok. That’s not true. I’ve not met Vince Vaughn. I saw Jon Favreau once in Aspen at the HBO US Comedy Arts Festival. His wife was hot.
Basically, I’ve used a google-favorable blog title for my own personal benefit to introduce my thoughts, musings and questions about Vince Vaughn’s Wild West Comedy Show: 30 Days & 30 Nights, Hollywood to the Heartland, a new feature from Wild West Picture Show Productions that grossed a modest $507,000 with a limited release this weekend.
Here’s the nutshell dilly-o on this flick in text-ese. BTW, F-U Bill Sapphire. I no how too rite. O-K? This is just how sum people talk theez dayz. Anywhoodles, VVWWCS:3DN,HTTH iz good. BTW - I Heart U William Sapphire. (I don’t really text.)
The flick takes you right into the raw heart of comedy pain, triumph, and universal human struggles through the lives of four comics while Vince Vaughn emcees the whole thing (and has his own moments of brilliance. See bus bits.) Comedians Sebastian Maniscalco, John Caparulo, Ahmed Ahmed, and Bret Ernst all love to laugh. But they all get off on laughs in different ways with a common answer: Laughing feels good. I wrote that last sentence to sound like I was reading a teleprompter with a Stone Phillips voice.
Sebastian Maniscalco revels in the bliss of the tour (to the point of tears) as he realizes that this tour might be a salvation from a life of toil in the service industry. The dude did shows in his waiter’s uniform just so he could be on stage. Sick. Wonderful. Comedy. Love.
He has a father (by the way) that has an absolutely ludicrous mustache. He also shares a vaingloriously ridiculous mullet shot of himself in his early teens. Maniscalco is a fixture on the comedy circuit today. And his dry cleaning bills are like my ding dong: big and unnecessary.
Bret Ernst is a perfectionist that has more natural talent than he gives himself credit for and therefore tortures himself whether people love his stand-up show or not.
A six out of 10 won’t do. There’s literally a scene in the film where Ernst speaks of his horror at a show on the tour that he missed (probably) three jokes while the audience embraced him for his intrepid and accurate techno bit. Soundbytes where he beatboxes aren’t enough. This is for his brother. This is for his mother. This is for his heart. And to Bret Ernst, nothing less than his best is enough. Sort of a Ric Flair mentality without all the Roger Clemens two-hole injections.

Ahem. Excuse me. Ahmed. Ahmed Ahmed. That’s his name. Really. Ahmed’s shining moments in the film come when he’s describing his 12 hours in a Las Vegas jail as part of a racial profiling exercise a few years back. Ahmed reveals himself to us via his feeling of duty to share racial themes that, he feels, are unavoidable in the current state of the union and fear-ridden world.
In that last sentence you don’t know whether or not I’m saying “Ahmed” like his first “Ahmed”… like I’m his friend or his second “Ahmed” like I’m practicing journalistic protocol because I say “Ahmed” as the first word of thse senence. Do you? Ahmed Ahmed reminds me of a brilliant kid I grew up with named Kahled Khaznetkatbi. He was f’ing hilarious to the Ahmed power and then some. We used to smash his younger sister’s talking doll and listen to his older sister’s racy vinyl albums (ie Power by Ice-T.) But I digress.

John Caparulo basically sounds and looks as if Larry the Cable Guy and Jim Norton reproduced a whipsmart Midwestern Fred Durst. Call him the Kid Rock of Comedy (of Cleveland.) The fact that the man has intensely small junk doesn’t keep him from overcoming a lot of his own fears during a 30- day bus trip that frequently interrupts Caparulo’s sleep during what Vince Vaughn refers to as the group’s “circus-people” lifestyle.
Caparulo frequently had issues with waking up mid-afternoon. The good news for John? He gets a lady in the end. A regular pasty, Ohio bumpkin with a heart of gold. Like a hurricane-cuss-mouth Indiana Jones. Or whatever.
Vince Vaughn’s best friend Peter Billingsley (of Christmas Story’s Ralphie fame as well as nearly three million 80’s commercials where Billingsley wore a sweatervest) is in the film. As is Vince Vaughn Rudy-pal John Favreau. Yes. Rudy-pal. That’s R-P texters. Drop it like it’s hot. Justin Long whores it up with a dodgeball to the face and Keir “gay cock painter” O’Donnell lends his Wedding Crasher easel and brush to the insanity. Vince Vaughn even performs a duet with Dwight Yoakam in Nashville that just sort of materializes during the show.
All in all, I’d say director Ari Sandel diddled my love bean just right.
Now if I could just get Vince Vaughn to stop calling me. 719-201-9202. Vince, I’m from Michigan. We’re practically brothers. Hire me.
Slap that dirtbox and call me Ronnie. It’s going to be a great week.
Go comment at Andy Juett’s MySpace page too. Click it or Ticket. Buckle up. It’s the Law.